Serlachius museot

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+358 (0)3 488 6800 | Gustaf, R. Erik. Serlachiuksen katu 2 | Gösta, Joenniementie 47 | Mänttä

Open summertime 1 June–31 August daily 10am–6pm.

Sulje

+358 (0)3 488 6800 | Gustaf, R. Erik. Serlachiuksen katu 2 | Gösta, Joenniementie 47 | Mänttä

Open
summertime 1 June–31 August daily 10am–6pm
wintertime 1 September–31 May Tue–Sun 11am–6pm
Closed 6 Dec, 24–25 Dec, 31 Dec, 25 Mar and 30 Apr

Feel free to
come farther

Ehrström

Portrait of the artist Eric O. W. Ehrström.

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PORTRAIT OF THE ARTIST

Eric O. W. Ehrström (1881–1934) was an exceptionally multi-talented artist. He designed jewellery, plates, textiles, furniture and buildings.

Ehrström was an art craftsman and industrial designer, skilled in embossing metal, enamel work and making jewellery. He produced stained glass paintings, frescos, sculptures and graphics; he illustrated and wrote books, drew and painted. Ehrström also worked as a conservator, teacher, curator and artistic director.

Ehrström’s heraldic output is extensive. It includes coats of arms, medals, stamps, even trademarks. He was a member of the Finnish Seal and Flag Committees, which designed the official emblems of the newly independent country. He also designed the crown of the King of Finland, although the country became a republic.

Ehrström’s interest in nature was professional. He photographed and sketched plants and their details, took from them subjects for decorative themes and ornamentation, and drew flora of various kinds.

Ehrström studied at the Finnish Art Society’s School of Drawing for only a year and then went to study with Axel Gallén at Kalela in 1899–1900. Gallén’s influence is evident in Ehrström and it directed him towards arts and crafts. It was through Gallén that Ehrström became acquainted with Gösta Serlachius.

After the Kalela period, Ehrström travelled to Paris to study metalworking. There he met Olga (Olli) Gummerus, whom he married in 1903. To Eric, Olga was a spouse, colleague and a beautiful, beloved subject of erotic fantasies. Eric’s output includes many homoerotic sketches, in which beautiful women frolick together. He himself is often depicted as a plump frog, watching from the sidelines.

Olga Gummerus-Ehrström (1876–1938) was also an artist, having studied at the Finnish Art Society’s School of Drawing as well as in Paris. She partly gave up her own career and worked alongside her husband on an equal footing in almost everything he did.

The childless couple bequeathed their art estate to the Fine Arts Foundation of Gösta Serlachius, who had been their patron.