Serlachius museot

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+358 (0)3 488 6800 | Gustaf, R. Erik. Serlachiuksen katu 2 | Gösta, Joenniementie 47 | Mänttä

Open summertime 1 June–31 August daily 10am–6pm, wintertime 1 September–31 May Tue–Sun 11am–6pm.


+358 (0)3 488 6800 | Gustaf, R. Erik. Serlachiuksen katu 2 | Gösta, Joenniementie 47 | Mänttä

wintertime 1 September–31 May Tue–Sun 11am–6pm
summertime 1 June–31 August daily 10am–6pm

Feel free to
come farther

Pearl of the month

Akseli Gallen-Kallela, Portrait of Doctor E. W. Lybeck

See the artwork in bigger size

  • Gallen-Kallela-Lybeck-detalji_1.jpg

July 2015

Elämänmäki’s doctor, E. W. Lybeck

One of the most recent art acquisitions of Gösta Serlachius Fine Arts Foundation is Akseli Gallen-Kallela’s (1865–1931) large Portrait of Doctor E. W. Lybeck. The sketch-like work in oils has been painted vividly on canvas with brush and palette knife. A special feature of the painting is the model’s introverted, veiled gaze.

Almost the same age, Akseli Gallen-Kallela and Edvard Wilhelm Lybeck (1864–1919) knew each other fairly well. It is not known whether the painting was done in Helsinki or at Lybeck’s house in Elämänmäki, Vilppula, from which Gallen-Kallela’s studio Kalela at Ruovesi is only a little over 20 kilometres away by boat.

E.W. Lybeck started practising as a doctor in Töölö, Helsinki, in the Kammio nursing home founded by his mother Sofia Lybeck, a doctor’s widow. Familiarisation with the doctrines of Leo Tolstoy gave him a new direction to his life; he became interested in vitalism and natural approaches to healing, sold Kammio and established amidst the primeval forest of Northern Häme the Elämänmäki sanatorium, which specialised in natural therapies.

According to an agreement concluded with the Finnish government, chronically ill, mentally disturbed patients came to Elämänmäki for treatment. In addition, Lybeck’s assistance was sought for a wide variety of ailments, including fatigue, nervousness, various neuroses, rheumatism, chronic pain, depression, joint pain, sleep disorders, indigestion and headaches.

The sanatorium’s busiest time was in the early 1910s, when patients arrived, even from abroad, by rail via Vilppula station or by ship. The most common period of care was from three weeks to a month. Care consisted of a vegetable-based diet, light and air baths, water, clay and electricity treatments, fasting, exercise and movement therapy, massage, meditation and occupational therapy, and also religious healing.

Elämänmäki operated for a total of 13 years between 1904 and 1917. In the final years of his life, Lybeck practised as a doctor at the Kirvu sanatorium on the Karelian Isthmus. His own mental health began to break down, and he died at only 54 years of age by his own hand in 1919.

The sanatorium’s forest setting is nowadays an old-growth forest conservation area belonging to the Natura 2000 programme. The large National Romantic style main building is gone and on the hill stands an Eino Koivisto-designed  memorial stone, erected to mark the 100th anniversary of Lybeck’s birth.

E. W. Lybeck is buried in Vilppula cemetery. In 1976, the grave received a Koivisto-designed granite slab, carved with a rugged profile of Lybeck. On the shore by Vilppulakoski rapids, there is an unusual-looking log building, which is not a boathouse but Elämänmäki’s woodshed, which is thought to have been designed by Akseli Gallen-Kallela.

Marjo-Riitta Simpanen
Curator, Art Historian